i) "The Futurist Condition" Forthcoming in Chytraeus-Auerbach, Irene / Maag, Georg (Hrsg.): 100 Jahre Futurismus. Kunst, Technik, Geschwindigkeit und Innovation zu Beginn des 20. Jahrhunderts. Berlin: LIT Verlag 2012.

ii)"Organization, Control and Emergence in Choreographed Performance Systems: The Art as Research Project Touched" Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance and the Visual Arts. Markus Hallensleben (Editor) Rodopi, Amsterdam, 2010, pp. 217-232(16).

iii) "Writing Dance in the Age of Technology: Towards Transdisciplinary Discourse" (The Touched Project 2007-2010) Evaluating Dance: Discursive Parameters Forum Mod Lang Stud (2010) 46(4): 460-473 doi:10.1093/fmls/cqq024MODERN LANGUAGE STUDIES Journals Oxford University Press, Issue 2010.

iv) "Transnet, A Canadian-Based Case Study On Practice-As-Research - Or, Re-Thinking Dance In A Knowledge-Based Society" in Practice-as-Research: in Performance and Screen, London: Palgrave Macmillan, 2009. pp. 148-62. Ludivine Fuschini, Simon Jones, Baz Kershaw and Angela Piccini (Editors).

v) "Re-Cognising Corporeality" in Performing Processes pp. 61-68. Edited by Roberta Mock, Intellect
Ltd. (2000) 1841500100.

vi) "Performing in Technologically Aware Environments" (1999, 0807 - 6316 Bergen, Norway 3t - Journal for Theatre Dance and Theory Issue No. 6, pp. 27-32, 1999.